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Kanye 2020 vision chicago6/26/2023 ![]() Open and a black and white striped dress made for Beyoncé’s September 2018 Vogue cover. Racks of clothes, rows of limited-edition sneakers, and images of advertising campaigns are on display.Įxamples from his Off-White men’s and women’s collections (2014-2019) are presented, along with custom Off-White work such as his designs for the Nike “Queen” tutu-style dress made tennis champion Serena Williams wore at the 2018 U.S. ![]() There was no deal with IKEA and Abloh had yet to be hired by Louis Vuitton, where he is the French luxury label’s first black artistic director.ĮXPLORING ABLOH’S multidisciplinary practice, the exhibition showcases his work in fashion, music, art, graphic design, and furniture. Organized by Darling, plans for the MCA Chicago exhibition were underway before most of that happened. ![]() Last month, the first Off-White home goods collection was released. (Murakami had his own solo show at MCA Chicago in 2017 and has previously collaborated with Kanye West and Louis Vuitton, before Abloh arrived.) Abloh also designs rugs and furniture for IKEA. In 2018, Abloh paired up with Takashi Murakami presenting art exhibitions at Gagosian Gallery in London, Paris, and Los Angeles. He’s also designed costumes for the New York City Ballet and released Air Force 1 collabs exclusively at the MoMA Design Store. Abloh has worked with a Swedish perfume house and a French restaurant. Off-White has collaborated with all manner of brands and companies such as Nike, Champion, Montcler, Timberland, Levi’s, Jimmy Choo, and the concept store Kish. Named men’s artistic director at Louis Vuitton in 2018, Abloh established Off-White in 2013. His projects have unfurled with intention, precision, critique, historical awareness, cultural sensitivity, and rigor, and when taken out of the buzzy, frothy context of luxury fashion, celebrity mannequins, and hip hop one-upmanship, a very measured vision emerges.” - MCA Chief Curator Michael Darling “This show examines the choices Virgil has made, the media he works with, and the context of his artistic inspiration. His projects have unfurled with intention, precision, critique, historical awareness, cultural sensitivity, and rigor, and when taken out of the buzzy, frothy context of luxury fashion, celebrity mannequins, and hip hop one-upmanship, a very measured vision emerges.” “An exhibition like this in a major contemporary art museum is the next milestone in the evolution of Virgil’s practice,” Michael Darling, chief curator at MCA Chicago, said in a statement. As museums try to figure out how to reflect their communities and attract new audiences, “Figures of Speech” is drawing a massive amount of visitors. Abloh, 38, is among the most visible in a new generation of genre-bending creatives with global bonifides and social media influence. While the lines between art, fashion, and design, have long been blurred, the contemporary nexus across the disciplines is quickly becoming the norm. By comparison, MCA reported its annual attendance for the entire museum was 317,000 in 2017, an institutional record, and 278,000 in 2018. 29, and then it will travel to the High Museum of Art in Atlanta.Ī spokesperson for MCA Chicago told Culture Type that 100,000 people had visited the Abloh exhibition during the first two and a half months of the show. The exhibition opened on June 10 and last month MCA Chicago announced it was extending its run by one week, “due to popular demand.” Now the show will remain on view until Sept. A traveling survey spanning two decades, “Virgil Abloh: Figures of Speech” explores the products, partnerships, and creative processes of the artist, architect, and designer. ![]() The fast-rising designer and inveterate collaborator is the head of menswear design at Louis Vuitton and founder of the “streetwear” label Off-White. THE MUSEUM OF CONTEMPORARY ART CHICAGO is presenting the first museum exhibition dedicated to Virgil Abloh.
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